MINA MASSOUD Portfolio · M.26
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Mina Massoud as a samurai warrior wearing a black menpō mask
Available for work · 2026
· MANIFESTO SO… WHY WILL YOU HIRE ME?

What pulled me in.

I was drawn to a world where design meets logic — a space where I can imagine and create anything. That's what pulled me into frontend.

Mina · · M.26

The hand will shake. The heart will not. Go anyway.

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us.

— Marianne Williamson
· ABOUT M.26 · 生きてる

I AM STILL ALIVE.

Frontend developer. Based in cairo — egypt. Survived 4 years of school, mastered 3 years of frontend sorcery. Still debugging my life.

I build interfaces the way a sword gets forged — slow, obsessive, a little dramatic. Motion, pixels, and the quiet parts of a product nobody notices when they're done right.

· · BY THE NUMBERS TALLIED SO FAR

By the numbers

Kitsune — how I work, mapped through nine tails

· KITSUNE · HOW I WORK · IN FOUR MOVEMENTS
Sumi-e illustration of a nine-tailed kitsune spirit.
智 Chi · Intelligence

Read the unwritten.

Intent first, markup second. I listen for the silence — every pattern, every tell.

React · Next · Swift · WebGL. Systems · a11y · DX · shipping. Each tail earned — on purpose.

九 Kyū · Nine Tails

Nine tails, one hand.

霊 Rei · Fox-fire

Light the corridor.

Debugging isn't guessing. I walk the stack with a flame until the bug has nowhere left.

Figma to pull request. Founder vision to production — without dropping a pixel.

神 Shin · Between Worlds

Carry it across.

· THE COUNTRIES THREE LANDS · THREE MASKS

Countries I've worked in — Egypt, USA, Australia

Anubis — a portrait representing Egypt, where the craft began. Statue of Liberty — a portrait representing the United States. A red kangaroo — a portrait representing Australia.
CHAPTER · ONE

Egypt M.22 · WHERE IT BEGAN

Cairo taught me discipline. Long nights, small screens, a craft forged under pressure. The first lines of code I wrote looked like prayers.

CHAPTER · TWO

United States M.24 · THE EXPOSURE

The U.S. opened the room. New standards, sharper mentors, a culture that ships. I didn't just learn the stack — I learned the tempo.

CHAPTER · THREE

Australia M.25 · THE WILD YEAR

Australia was the wild one — rough edges, blunt feedback, ideas that bite. I came back leaner, louder, harder to knock off course.

Hitomi — inspirations that pass through the eye

· HITOMI · INSPIRATIONS · FOUR REFLECTIONS
Close-up of an eye, reflecting website interfaces drifting across the iris.
映 Utsu · Reflect

Everything passes through.

Every site I've opened, every motion I've paused — the eye doesn't forget.

Awwwards · FWA · Dribbble. Linear · Vercel · Rauno. Studying how the greats move.

観 Kan · Observe

Watch the masters.

蔵 Kura · Archive

A library behind the eyes.

Micro-interactions I've saved. Easings I've stolen with my eyes. Quiet details, archived.

Everything I've seen comes back as my work — reflected, rebuilt, released.

創 Sō · Forge

Then I forge mine.

So now is the time

Are you ready to build something great together?
· · BOOK A CALL PICK A TIME

LET'S CREATE
SOMETHING TOGETHER

Pick a slot below — no back-and-forth emails. If your project is bigger than a 30-minute chat, we'll extend on the call.

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Or reach out the old-fashioned way
Email minamelad232@gmail.com
Mina © 2026 M.26 · PORTFOLIO